My artistic practice lies at the intersection of the physical and the digital, exploring how technology is a symbiosis that shapes our essence with the organic. Through virtual reality, I create animated paintings that invite the viewer to immerse themselves in dreamlike landscapes, where the boundaries between the natural and the artificial blur.
Inspired by the intricate patterns of the natural world, I seek to convey an aesthetic that reflects the profound connection between humans, nature, and technology. My work is a meditation on the exterior and the interior, using technology not as a barrier, but as a means to access that essential otherness that is part of us: something that modifies our roots and our inner landscape.
The concept of "expanded space," developed in the 1960s, significantly influences my approach, allowing me to create immersive environments that transcend the limitations of the traditional canvas. In these virtual experiences, the viewer is not a mere spectator, but an active participant, becoming an integral part of the artwork.
My creative process combines traditional painting techniques with cutting-edge digital tools. I often begin with sketches and studies on paper, using physical media to inform my initial impulse. These drawings are then transformed into three-dimensional environments using virtual reality software, where I can explore the work and shape it from within. This fusion of methods allows me to preserve the gestures and texture of the painting, while expanding into new dimensions of expression.
Each piece I create is an invitation to reflect on our relationship with the environment and with ourselves. In a world that is constantly changing, being manipulated, and where new technologies are being integrated into our vision and relationship with our environment, my goal is to create spaces for contemplation and connection. Spaces that allow us to pause, breathe, and perhaps remember something ancient and vital within us. I believe that art, when it coexists between the visible and the invisible, between the digital and the spiritual, can become a portal. A place where presence and imagination meet, where technology returns us not to the future, but to a deeper understanding of our present. Through this hybrid practice, I hope to contribute to a broader dialogue about the role of technology in our lives and how it can be used not to escape reality, but to deepen how the now is our experience with it.
Inspired by the intricate patterns of the natural world, I seek to convey an aesthetic that reflects the profound connection between humans, nature, and technology. My work is a meditation on the exterior and the interior, using technology not as a barrier, but as a means to access that essential otherness that is part of us: something that modifies our roots and our inner landscape.
The concept of "expanded space," developed in the 1960s, significantly influences my approach, allowing me to create immersive environments that transcend the limitations of the traditional canvas. In these virtual experiences, the viewer is not a mere spectator, but an active participant, becoming an integral part of the artwork.
My creative process combines traditional painting techniques with cutting-edge digital tools. I often begin with sketches and studies on paper, using physical media to inform my initial impulse. These drawings are then transformed into three-dimensional environments using virtual reality software, where I can explore the work and shape it from within. This fusion of methods allows me to preserve the gestures and texture of the painting, while expanding into new dimensions of expression.
Each piece I create is an invitation to reflect on our relationship with the environment and with ourselves. In a world that is constantly changing, being manipulated, and where new technologies are being integrated into our vision and relationship with our environment, my goal is to create spaces for contemplation and connection. Spaces that allow us to pause, breathe, and perhaps remember something ancient and vital within us. I believe that art, when it coexists between the visible and the invisible, between the digital and the spiritual, can become a portal. A place where presence and imagination meet, where technology returns us not to the future, but to a deeper understanding of our present. Through this hybrid practice, I hope to contribute to a broader dialogue about the role of technology in our lives and how it can be used not to escape reality, but to deepen how the now is our experience with it.
Studies
- ARTS DEGREE Universidad distrital Francisco José de Caldas, faculty ASAB, Bogota.
- CULTURAL EXCHANGE AFS HUNGARY at the Magyar-Angol College tannyelvu gimnázium.
- DRAWING COURSE at Academia de Artes Guerrero and at Academia Buhardilla.
- MODELS FOR DISASSEMBLY WORKSHOP - Idartes Institute taught by Trixi Allina.
- WORKSHOP MODELS TO DISASSEMBLE - Idartes Institute; in charge of the teacher Manuel Santana.
- WORKSHOP OF ART, CULTURE AND ARTS, FABRICCA; in charge of Diana Carolina Montoya.
Exhibitions
- Exhibition "Canal Street Show" Lume Studios, Broadway, NYC 2024.
- Artist and exhibition at the gallery Vernissage 2024.
- Exposición "Hacking Arts Fest" Luminarium.io en Medellín y Bogotá, Colombia 2024.
- Exhibition "Southern Cross Lane" Gallery Future.io in Melbourne 2023 - 2024.
- Exhibition "Follow The White Rabbit" Gallery Future.io in Brisbane 2023.
- Exhibition Hola METAVESO Medellín University, 2023.
- Exhibition "Community Gallery #21" with ImnotArt in Milwaukee, 2023.
- Solo Exhibition "Flowers Never Die" in the Hyperfy Metaverse, 2023.
- Exhibition "Consciousness of the Flowers" with artDao in Denver Colorado, 2023.
- Solo Exhibition "Bloom" in the OM Metaverse, 2023.
- Exhibition with Future.io gallery and knoworigin in Miami, 2022.
- Exhibition Expression of crytoart in Colombia, MOCA at shilling-point, 2022.
- Curatorial project with Museo cryptoarte MOCA at the shilling-point event DEVCON Bogotá, 2022.
- Exhibition at the Komanage Biennial, Turkey, 2022.
- Exhibition Hola METAVESO Bogotá, 2022.
- Constant exhibition in SuperRare Gallery, 2022.
- Illustrator of the book publication toolbox "14 models to disassemble CREA program" Idartes, 2018.
- Participation in the book "poetics of the print" collective work student teacher in printmaking, 2018.
- Matriculation of honor awarded by the Universidad Distrital in 2011 and 2014.
- Exhibition in SALÓN INTER-UNIVERSITARIO ASAB 2013 series of paintings "Fragments of Memory", 2013.
- Exhibition at CASA ABIERTA two-dimensional salon 2011 and techniques of expression and morphology, 2011.
- Sample project test representing through drawing, the book "Point, line on the plane of KANDINSKY", in the academy of arts guerrero, 2009.
