Dreams is a series of videos emerging from virtual reality animations, where painting is freed from the static plane and becomes an expanded, moving body. These abstract pieces function as a visual diary, a poetic exploration of the everyday and of emotions that don't always have a name. Through the nonverbal language of abstraction, the works invite the viewer to inhabit open questions: what does it mean to let go? What is meditation? How does femininity feel?
The two pieces I present, Dreams – Sphere and Dreams – Circle, are reflections on the very act of painting digitally. In them, I ask myself what painting means when it abandons the traditional medium and transforms into an immersive experience. How does its nature change when it occupies space? What gestures does it retain and which ones does it invent?
My interest lies in abstract language, that which refers to ideas without concrete form. I believe that this is precisely where abstract painting has a unique power: to serve as a bridge between the intangible and the visible, between the emotional and the perceptible. Through this practice, I seek to make tangible that which has no physical equivalent—sensation, intuition, symbolism—and allow the viewer to experience it from their own subjectivity.
These works don't seek to represent, but to evoke. They don't narrate with words, but with rhythm, form, and color. Abstract language allows each viewer to approach it from their personal history, from their own body and sensitivity. In this sense, the feminine, the spiritual, or the meditative are not fixed categories, but open concepts, like painting itself: fluid, mutable, chameleonic.
Dreams was born from the desire to think of art not only as an object, but as an experience. To use technology not as an end, but as a means to reconnect with the sensible and the essential. In a hyper-digitalized world, this series asks how we can return—through art—to a deeper form of perception, one where emotion and form dance together.
More than offering answers, these pieces propose a space for feeling. A threshold between the internal and the external. Between the body, the symbol, and the mystery.
"Woman" is a painting created in virtual reality and is part of the Dreams series. The work offers a symbolic look at the female body, with special attention to the womb as a center of creation, memory, and power. Through movement and animation, the piece explores the internal energy of women, connecting the corporeal with the spiritual in a dreamlike and sensorial language. (licensed by Layer).
“Lotus Flower” is a painting created in virtual reality and part of the Dreams series. Through soft, moving forms, this piece encourages the virtue of letting go. It is a symbolic journey that invites us to let go, to gracefully surrender to the flow of life.(licensed by Layer).
"Dreams" is a series of animated virtual reality paintings that create abstract videos, seeking to capture the narratives of everyday life (like a diary). Think of abstraction as a way to address abstract themes, such as what it means to let go, meditate, or even explore concepts like the womb or femininity.
In the two pieces I am presenting, Dreams, Sphere and Circle, I reflect on the act of painting digitally, questioning the modern qualities of what painting truly means as a medium—its intrinsic characteristics. This exploration becomes particularly interesting when it transcends boundaries like the static plane, expanding into a new dimension.
The primary idea is to explore abstract language, where subjective perception breaks down definitions. The abstract language, in this context, becomes a bridge, making tangible experiences that are otherwise intangible. For example, the concept of "femininity"—it is a term so widely used, so ambiguous, and so fluid—much like abstract painting itself, which can be both constant and changing.
My work exists between the personal and the social, reflecting the tension between the subjective and the object. It plays with the space between words and the experiences they try to represent, questioning the power of language to capture the complexity of life. Through abstraction, I aim to create a space where meaning is not fixed, allowing for infinite interpretations and connections.