CHAPTER 1
Created in Stefany's VR laboratory, "Floral Impressions" draws inspiration from master impressionist painters including Manet, Degas and Renoir. Through the artistic process, questions have arisen about how to approach these new mediums. On one hand, there is a desire to use technology as a tool to forget the traditional knowledge of painting and to reinvent it anew. On the other hand, the concept of expanded painting is explored, utilizing painting as a sculptural form within the Metaverse.
The inspiration for developing these new methodologies stems from the abundant wealth of form, color, composition, and movement found in nature. This approach is driven by the desire to explore how painting and nature intertwine and reinterpret themselves within the digital world.
In this project, the technique of glazing and vibrant use of color allows for the conception of three-dimensionality within the forms. Each artwork gives rise to a visual labyrinth in constant motion. The experience derived from these pieces is dynamic and captivating, as the forms transform and intertwine in an artistic dance.
"Floral Impressions" gradually transcends into impressionism, offering evocative representation of the natural elements of leaves and flowers. Each form leads the viewer on a contemplative exploration of nature, interpreted through the unique lens of virtual reality.
Through the convergence of digital technology and inspiration drawn from nature, an ever-evolving dialogue between the viewer and technology is forged, revealing new dimensions in artistic expression and interpretation. "Floral Impressions" fuses tradition and technology, resulting in a completely new way of showcasing and defining the art of painting.
SOLD
FLORAL IMPRESSIONS VIDEO-ART
CHAPTER 2
A PART OF ALICE
"A Part Of Alice" is a virtual reality painting that expresses how time generates changes in nature. Though these changes may be minimal and not always noticeable, they manifest in the beauty and harmony of animation. The vibrant colors and shifting forms draw viewers in, with a hypnotic quality that surprises as the movement unfolds—leaving you unsure of what will happen next. Virtual reality painting explores figures in space, like brushstrokes that float. Inspired by motion, I animated it with contrasting colors like blue and orange, creating an elegant yet humble reflection of nature. While it doesn't speak directly of people, I feel that viewers connect with it, much like seeing a rose. We don’t always understand it, but it’s simply there. Through this piece, I learn to observe, to love, and to surrender to beauty and harmony.
CHAPTER 3
IT WAS NEVER A STILL LIFE
