My artistic practice explores the blurred boundaries between painting, landscape, and physical presence within the incorporeal world of digital spatiality. Traversing between traditional canvas, virtual reality, and metaverses, I explore how technology reconfigures our perception, asking: how much of what we perceive as nature is still nature, and how much has become a technological construct?
I conceive virtual space as an intangible territory inhabited through the physical body, set against the simulation of a vast and seemingly empty environment. Confronted by the infinity of synthetic realms, I translate the immersive experience through fragments, screenshots, and animated loops—records that serve as physical, cropped evidence of a virtual presence.
Expanding painting requires dismantling its physical borders without relinquishing its reflective depth. My work bridges traditional painterly processes and contemporary simulation, questioning the fragility of digital imagery and its illusion of permanence within a hyperreal, discontinuous memory.
